- to know professional terminology what touches artistic work, to apply knowledge from discipline for the decision of artistic and restoration tasks;
-to know the questions of construction, motion, proportion, prospect, chiaroscuro and invoice, composition and others like that;
-to be able for consciously watching of three-measurable form, for logical analysing of this form in space and correctly performing it at two-measurable plane by corresponding facilities and technical receptions;
- to be able on the basis of composition laws, rules of prospect, theory of illumination realistically and convincingly to represent reality;
-to have the creative going near the independent search of ideas in the put certain practical tasks, to form artistic sense and aesthetic taste and own the practical skills for their successful realization;
-opening of individual creative capabilities and expansion of artistic world view, receipting of necessary professional knowledge and skills, as bases for further professional activity.

Prerequisites: Bases of sculpture; Drawing, part 1-5; Plastic anatomy, anatomic drawing.

-Drawing of anatomic man’s torso. -Chiaroscuro drawing of gipseous figures as "Doryfor", "Heracles", "Apollo", "Slave".

1. Питер Станьер. Пособие по техникам рисования: справочник художника – Астраль.2007.
2. Sehen und Verstehen. Gottfried Bammes - «Volk and Wissen» 1985 г.
3. Радлов Н.Э. Рисование с натуры – Л.1978.
4. Ростовцев Н.Н. История методов обучения рисованию. Зарубежная школа рисунка – М.1981.
5. Ростовцев Н.Н. Рисование головы человека – М.1989.
6. Баммес Г. Изображение человека. Основы рисунка с натуры - «Дитон» 2012 г.
7. Gottfried Bammes .Der nackte mensch - «VEB Verlag der Kunst Dresden» 1969 г.
8. Николай Ли. Основы учебного академического рисунка. Учебник.- Эксмо.2005.

A maximal total estimation for audience and independent (home) tasks presents 100 points.